LOVE CAN’T BE HURRIED…
Posted by newromantics4
…NOR COULD TWINS OF A GAZELLE, MY SECOND NOVEL!
Twins of a Gazelle is out, a mere year and three months later than my New Romantics Press co-conspirators got out their seconds, the other fab three, Adrienne, June and Lizzie. My small band of readers are probably wondering, ‘So, what took you so long?’ Taking my cue from The Supremes’ “You Can’t Hurry Love”, I couldn’t hurry Twins of a Gazelle. No matter how hard I tried, I just had to take as long as it took. How (see below) will probably explain everything.
Way back in March 2014, Sarah Houldcroft told us what every writer needs to know which is what readers want to know. I will do my best to answer her five questions.
1. What inspired you to write your novel?
Twins of a Gazelle began with a house nestling in the Leicestershire countryside. Over the years I have regularly driven past this house very much like the one in the picture [insert jpeg of Calista’s house]. I thought, one day I shall write a story about the people who live there. Lonely, disillusioned, contrite Calista Blake and her charming, wealthy and manipulative husband Adam Burgess seemed ideal occupants. They began to haunt the house as they did my imagination. BUT, Calista needed to escape her comfortable prison and where better than to the enchanted Greek island of Ithaca where she becomes spellbound by PJ Wood.
2. How, why and where do you write?
Easiest one first, where, here in my small back room. Not in a café, a library or on the kitchen table, an attention-seeking cat is distraction enough, though interruptions from The Long-suffering One with coffee or tea are always welcome.
Easier second, why, because I must or I would go ever so slightly madder.
How, slowly and with difficulty. I start with a character, to-date, a woman, clever, successful at what she does. Her flaw, to begin with, she is emotionally naïve. In both Twins of a Gazelle and Last Bite of the Cherry, the main character’s story-thread is interwoven with that of a second female character who started out as my heroine. On reflection, theirs was, for me, too straightforward, not so Calista’s in Twins of a Gazelle, nor Monica’s in Last Bite of the Cherry. I like to probe their character, their motivation, their psyche, find just the right words to convey their state of mind, their emotions, and the undercurrents beneath an-on-the-surface ordinary situation. All this is equally relevant to the men they fall in love with, the two or three or more ‘heroes’ before they find ‘the one’. To me all my heroes are lovable in their own way, even Adam. As a reader, please feel free to take your pick. My novels are so not boy-meets-girl, jump through a few hoops and then live happily ever after. For me, there are no endings, just new beginnings. At the end, I would like my readers to think, ‘Knowing them both as well as I do now . . .’ Maybe some do.
Afterthought: One of my reviewers of Last Bite of the Cherry wondered if the ending would have been ‘happy’ – to my mind it was more like ‘satisfying’ – if the main protagonist had been ‘poverty struck’. If I were to write about people struggling to make a living, feed their children, becoming homeless, that would be something quite else, which brings me to question 3.
3. Have you experienced first-hand any of the aspects in your books?
Well, I have been known to fall in love with unsuitable men, not unsuitable in themselves, just not for me. That’s character-building and informative. Makes you think ‘What do I really, really want?’ Answer: ‘Not this’. Also, many moons ago, I took myself by surprise by becoming pregnant. Now there’s a surreal experience. Anyone agree?
4. Did you base your character on a real person?
My characters come from my imagination based on many years’ observation of the way people are and behave towards each other. At social gatherings, events, meetings, airports, in trains, part of the time, most of the time I love sitting back people watching. Fascinating.
5. If so, was it you?
I suspect I do what most writers do which is imagine myself as the person I’m writing about at any given time, what they’re thinking, feeling, seeing and hearing, smelling, doing. I try my best to make it ‘real’. Then it’s me in so far as it’s what I may have thought, felt etc. in similar situations.
‘Nuff said, I think. I shall now sail off into the sunset in PJ Wood’s sloop.
Extract from Twins of a Gazelle:
‘PJ Wood.’ She took the hand he extended. Not used to callouses her turn to recoil except she didn’t. ‘Everyone calls me PJ. Not even my mother has the courage of her convictions.’ He spoke clear, educated English with just a hint of mid-Atlantic. She refused to ask why he was known by his initials.
‘Calista Blake. I mean Burgess.’ He took the chair opposite. Whilst he discussed with Marcos what he would eat and drink, she could observe him without seeming rude. Beneath his polo shirt, he was lean and sinewy, the ideal shape for a long-distance runner. She wondered how he earned his living. ‘Are you eating?’ He smiled across the table. His face lit by light from inside the taverna, his eyes startled her. They were the deepest lobelia-blue. ‘I’ve already eaten.’ Not very much, her insides had been a tangle of knots. The thought of spending the night up at the villa alone . . . Anyone would think she was not used to being on her own, and Kioni was the least threatening of places. ‘Only a salad,’ Marcos said. ‘Why don’t I get Petros to prepare you the mixed fish dish for two? PJ would like that.’ He agreed he would. She was tempted. The wine had helped her relax and the mezedhes had given her an appetite. A meal would prolong the time she could spend in company. Her eyes met PJ’s, his look as guarded as she felt.
Twins of a Gazelle, by Margaret Cullingford, available on Amazon –http://tinyurl.com/qj2hzlf
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