Author Archives: junekearns
…presenting Author friend, Lizzie Lamb… in all her glorious Scottish-dom…
…every now and then, along comes a Guest Blog Post that doesn’t just ask to be included on here, but batters down the barricades and climbs in regardless… with my dear scribbling pal, Lizzie Lamb’s immersion in full-on Scottish-dom, how else could it be ?… here’s her effervescent offering for yeez to enjoy :
THE EVER-WINDSWEPT AND INTERESTING, LIZZIE LAMB
I’ve always loved romantic heroes, be they highwaymen, pirates, Regency bucks or men in kilts.
I think the element of ‘costume’ removes the hero from the real world and transports both him and the reader into the realm of fantasy. The costumed hero is, generally, aristocratic – and while he does not have to work to earn his daily crust, he often has emotional scars which only the heroine can heal. And, in the case of men in kilts, there is the additional tease of whether or not they’ve…
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Romantic Lurve – or 50 Shades of Beige
Romance, in one form or another, is threaded through all our books at New Romantics Press. Lately, we’ve been discussing how one reader’s sublime is another’s ‘cor blimey!’
Apparently, there was no such thing as romantic love until after the 12th century. Until then, knights regarded biffing each other as pretty much its own reward. After that, they needed an explanation for all the biffing, (if they couldn’t think of one, they asked a minstrel to make something up) and sagas of battle moved to tales of courtly love.
Sublime? So, what about the ‘cor blimey!’
E.L. James’s erotic bestseller has sold 100 million copies, and still counting. It’s women who are flocking to see the film.
Allegedly, before the launch, B&Q sent a memo to staff, warning of a possible increase in demand for certain products. These would be from customers recreating their own Fifty Shades experience. What were they expecting? People stringing themselves up in the shelving section and spanking one another with Vileda mops?
Have I seen the film? Noo. I always feel a teensy bit self-conscious watching that sort of thing – a voyeur looking through a keyhole. There’s a sort of agony of embarrassment and my hand keeps creeping up to cover my face – as if a week-old kipper is being wafted around.
I often skip the more palpitating passages when reading, too – especially when it starts to sounds a tad gynaecological.
“I don’t make love. I ****. Hard.”
(Ooh, heck. Move over Heathcliffe.)
Those words from the film sound less erotic to me than the Victoria Wood song about turning off Gardeners’ Question Time in the hope of being bent over the hostess trolley and beaten on the bottom with Woman’s Weekly.
I’m not quite of the same mind as the film reviewer, who said 50 Shades made her want to rush for her pinny and start polishing the silver.
I admire people who write about sex and erotica well. It takes skill to get it right. I just know that I’m not one of them.
I’ve taken heart from writer Joan Didion who suggests that concealing something, can heighten its impact. She says: “It’s like dressing. If you’re covered up, it’s sexier than if you’re not.” (Discuss?)
I heard a theatre director say recently that sex on stage is a notoriously tricky thing. A little, he said, goes a long way. It’s the suggestion of sexiness, apparently – not the act itself – that raises the temperature in an auditorium.
Raising the temperature! That’s it! That’s what I’m always struggling to achieve in my novels. But I appreciate that what floats my boat, may well scupper yours.
So, what about you? What do you think? Comments in plain brown envelopes, please!
I’ll leave you with another quote from Victoria Wood: ‘Orgasm? I haven’t blown my nose since Wednesday!’
And to cool things down, here’s a picture of myself at 5, dress tucked into knickers. (I still wear a similar voluminous sort which may go some way to explaining my own views on this topic.)

Boot Camp Bride

“Boot Camp Bride” by Lizzie Lamb
Blurb: Take an up-for-anything rookie reporter. Add a world-weary photo-journalist. Put them together . . . light the blue touch paper and stand well back! Posing as a bride-to-be, Charlee Montague goes undercover at a boot camp for brides in Norfolk (England) to photograph supermodel Anastasia Markova looking less than perfect. At Charlee’s side and posing as her fiancé, is Rafael Ffinch award winning photographer and survivor of a kidnap attempt in Colombia. He’s in no mood to cut inexperienced Charlee any slack and has made it plain that once the investigation is over, their partnership – and fake engagement – will be terminated, too. Soon Charlee has more questions than answers. What’s the real reason behind Ffinch’s interest in the boot camp? How is it connected to his kidnap in Colombia? In setting out to uncover the truth, Charlee puts herself in danger…
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