Getting Down With the Kids – World Book Day
I’d been thinking about doing something for World Book Day as it drew closer, remembering that last year it came upon me suddenly and being my first World Book Day as an author, I felt obliged to play some small part. I’d planned a busy ‘three centre’ day, which included collecting train tickets from Market Harborough, a business meeting in Birmingham and a nip to Lutterworth for emergency supplies. So having recently published my debut novel, I did no more than throw a few copies in a bag, vaguely hoping an opportunity would present itself.
I quickly realised dragging a bagful of hefty tomes around with me was folly, so made a swift decision to dole them out to the mismatched selection of females I was to encounter that day. This included the woman behind the glass at the station, a marketing director in a smart city hotel, a Waitrose check-out lady and finally a pretty dark-haired girl in the post office. The surprise, bemusement and delight each gift bestowed was thanks enough, and I considered my personal contribution to last year’s World Book Day a small success.
Having established this ‘new ‘ tradition – I was thrilled when a cousin – of whom I have many, being Irish – seconded me as ‘Author in Residence’ for World Book Day at the primary school where she works. Everyone, and I mean everyone, was dressed as their favourite fictional character. I hugged a beautiful Cat in the Hat (my cousin); bumped into any amount of Harry Potters and Hermiones; waved to Snow White; chatted studiously with the Lion from the Lion, the Witch and the Wardrobe, and was brought biscuits by War Horse.
After the most colourful assembly I’ve ever encountered, I was introduced to my Writer Stars – five shining examples of all that is good about the education system – and we got straight down to our Workshop. We were a publishing ‘house’; each student decided their genre, what their latest novel was to be called, then wrote a synopsis, a blurb, a dedication and most importantly came up with a pen name.
I then morphed into a Hollywood movie producer and they each pitched their book to me, with the rest of the team acting as a panel, X Factor style. To say I was impressed with their creative talent, grasp of language and vocabulary is an understatement, I was blown away. But it was their imagination that really shone; we encountered Russian princesses, broken families, war and fantasy heroes, horror, unrequited love and some very funny writing indeed. We had the greatest fun and I had the best of times, it was a privilege to be with these awesome and delightful young people. As I left, I gave books that had inspired me to the children, and my novels to the teachers, because you know, there’s nothing like the gift of a book, it comes with a free smile!
Adrienne
Branding or Breaking the Mould?
Here at the New Romantics 4 we follow our hearts when it comes to writing our novels. But our readers are never forgotten, or left behind.
Branding – we all know how important it is. It establishes a product clearly in your mind. In terms of novel writing, it ensures a reader who enjoyed your first book will know what they’re getting when they buy your second book too – a different story perhaps but one rooted firmly in the same genre, be that romance, crime, horror or historical. There’s a lot of competition out there and branding, well, it helps to get you noticed. So, bearing that in mind, what have I done? I’ll tell you what I’ve done. I’ve laughed in the face of branding and here’s the book covers to prove it….
The book on the left (my debut) – The Runaway Year – is a romance set in North Cornwall, it’s sassy, it’s sexy, it’s packed to the rafters with feisty heroines, but it’s romance – no doubt about it. The book…
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Letter B on the A to Z April Challenge
My turn on Rosie Amber’s blog today. June will appear later in the month.
Letter B on the A to Z April Challenge
Letter B on the A to Z April Challenge.
Today is the letter B on Rosie’s A-Z Challenge. Read about me and my second rom com BOOT CAMP BRIDE.
Lizzie xx
What Every Reader Wants
What do readers really want – a reader’s point of view
I am delighted to welcome Sarah Houldcroft to my Blog today. Sarah, a Goodreads Librarian and Virtual Assistant for authors, tells us what she thinks our readers want from us.
‘You are so lucky – I would love to write a book’
How many times you, as authors, have heard that phrase, I wonder. Perhaps you smile and think to yourself: ‘God, if she only knew the hours and hours of stress, torment and sheer hard work I have had to go through…’ But we, as readers, don’t know. We simply cannot comprehend, it is not important to us. All we see is the end result and the author becomes a special gifted individual who can reach down into her soul and haul out people and feelings, emotions, happenings, and create a whole new world for us.
For the booklover…
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What Every Reader Wants
Today I am interviewing Sarah Houldcroft, a Goodreads librarian, and asking her for some pointers from a readers’s persoective. Read what she has to say.
Oh, My Giddy Aunt!
‘I have always maintained the importance of aunts.’
Jane Austen
‘Aunts are not bad but they are inclined to be soppy and call you darling chiz chiz chiz.’
Nigel Molesworth
‘Aunts,’ someone said recently, ‘seem to have starring roles in all of your stories.’
Do they? Well yes, I suppose that they do.
I think the stiff-as-sticks Beatrice and Eugenie, from An Englishwoman’s Guide, were probably summoned-up by Lady Bracknell – Algy Moncrief’s awful aunt in The Importance of Being Earnest.
Lovely Leonie, from The 20’s Girl – who taught her niece to dance the hoochie coochie and the turkey trot, while wearing ostrich feathers and waving an Egyptian cigarette in a long ebony holder – is possibly more like Auntie Mame, who sent her nephew to a school where all classes were held in the nude, under ultra-violet ray!
I adored my own aunts. I was the first girl in my mum’s family, and her sisters completely spoiled me – sitting me on their knees, twirling my curls around their fingers. Sigh.

PG Wodehouse seemed to have a thing about aunts, too. As a schoolboy, he was passed around between quite a few of them, apparently.
In his stories, they keep being blamed for all ills and failures.
‘Behind every poor innocent blighter who is going down for the third time in the soup,’ Bertie Wooster moans, ‘you will find, if you look carefully enough, the aunt who shoved him into it.’
Then, there are Agatha and Dahlia – sister’s to Bertie’s father in The Mating Season. Agatha, according to Bertie, ‘is the one who chews broken bottles and kills rats with her teeth.’ She has ‘an eye like a man-eating fish and wears barbed wire next to the skin.’
Who could resist characters like that?
This picture of my mum and her sisters, Nell and Kath was taken in Somerset, when they were all in their late eighties. We were spending a few days together at a hotel in Somerset. I have never got through so much brandy in my life. ‘Ooh, just another nip, ducky! Helps you to sleep, y’know.’ All three lived well into their nineties.
I think of them every day.
Eccentric, exotic, mad, bad or dotty – for me, aunts do seem to offer a new angle on the world and on my writing. Does anyone else feel the same attraction?!

So . . . How was it for you?
Read my latest blog post and if you like my style, please add yourself as a follower. Thank you, Lizzie xx


Today we’d like to welcome Georgina Troy to the NR4 blog.
Jilted by the man she was expecting to marry, Paige Bingham, a shoe designer from the tiny island of Jersey, decides to enjoy her honeymoon-for-one in Sorrento. What she doesn’t expect is to meet a mysterious entrepreneur, Sebastian Fielding, when she gets to Italy. Sebastian helps soothe her faith in men and gradually the pain recedes from her battered heart as he introduces her to the beautiful sites he knows and loves. 
‘Take care of my heart, I’ve left it with you.’ Edward Cullen
Movie star, Ryan O’Gorman arrives unannounced on the island of Innishmahon, hoping to rebuild the relationship with the love of his life Marianne Coltrane. Marianne can’t believe he’s turned up, assuming their troubles are in the past, and though she’s never been happier to see anyone in life, she doesn’t want him to know that …just yet.
August 1973, Monica Sommers, eighteen years old, and Will Ackroyd, twenty one, are on their way to Florence, Italy on Will’s motorbike stopping off to spend a week on the French Riviera:



